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Sounds of Silence
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Meeting L.C.
 
Yesterday I met L.C.
and he taught me
about chances of the unbridled nights
I took to my heart the most couragous
of the seven-thousand words
and fulfilled my debt of lines every night
between milk and bread
between un-payable French cognac
and the glance from immortal brown eyes
that could fill pages between soft music
and the air from dusty tubes
between your naked body
and the innumerable pearls of sweat on the faces of lovers
between wet downtown streets
and movies with Humphrey Bogart
between burning kisses of welded tongues
and the modest touch at a bitter farewell
between rooms in which darkness shines
and in which we wait
for the courageous fulfiling of these words
 
 
(Rolf Uher - S. 276)
The Sounds of Silence
The National Library of Poetry
Laura Fiorini, Editor
Jennifer Duncan, Assistant Editor
Angela Hughes, Assistant Editor
© 1998 by the National Library of Poetry
Watermark Press, Owing Mills, MD21117
Library of Congress
ISBN 1-57553-426-6
 
Editor's Choice Award

 
 
Editor's Note
by Laura Fiorini
excerpt
 
 
... similar ... the persona in Rolf Uher's poem, "Meeting L.C." (276), takes no action to combat his own indifference. The person reads the work of the relatively anonymous "L.C." every night after an initial, obviously enrapturing introduction to this person's writings. In order to have "fullfilled [his] debt of lines every night, " the persona excerts arduous and diligent effort in his pursuit of reading "the seven-thousand words" L.C. wrote. This author, through his written descriptions, teaches the person "about chances of the unbridled nights," the risks involved, and, one may assume, the gratification gained from embracing those chances. However, the persona's inability to take action due to fear of the risks involved surfaces when Uher writes that the persona "took to [his] heart the most courageous" of L.C.'s words: The persona reads and absorbs only the most heroic and inspiring words, still failing to assimilate those words and to translate them into action. His remaining static even after being so inspired by L.C.'s works is a disclosure of the fact that the persona is more comfortable with living vicariously through L.C.'s words than with doing the living himself.
In another vein, while the persona devours all of L.C.' words and allows them to inspire him, he still does not take action either by writing himself or by attempting to live the scenarios presented by L.C. The persona sits and reads
 
between milk and bread
between un-payable French cognac
and the glance from immortal brown eyes
which could fill pages between soft music
and the air from dusty tubes....
 
No creativity emerges in the persona, who may only be able to recognize half-conciously the potential for literary creation. He is wholly unable to create anything in actuality; "the glance from immortal brown eyes" only "could fill pages" [italics mine] - it has the potential to inspire the persona to write but it remains as merely a possible inspiration since the persona cannot shrug off his resignation to his inert life in order to write or to engage in life as an active participant. The persona waits for things to happen to him instead of actively pursuing their fruition. Sitting in
 
rooms in which darkness shines
and in which we wait
for the courageous fullfilling of these words
 
the persona expects that life will simply befall him while he takes no action to make life fulfilling for himself. His inspired interior does nothing to manifest itself in his outer life, leaving him static and unchanged, waiting for life to happen.
 
 
 
 


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